The United Nations’ Sustainable Development Goals (UN-SDGs) offer a comprehensive framework for global sustainable development, embraced by both UN member states and multinational enterprises (MNEs). The SDGs take a holistic approach and emphasize the need to align public- and private-sector actions. However, understanding the effectiveness of the SDG framework in coordinating stakeholder actions remains a challenge. This study explores how MNEs engage with the SDGs as a function of their home countries’ SDG profiles. Leveraging institutional theory, we test competing mechanisms (...) by analyzing sustainability reports from 150 MNEs across 23 countries. Our results suggest that MNEs’ engagement with the SDGs aligns most closely with a “liability of origin” explanation, with firms showing greater SDG engagement when their home countries have lower progress on the SDGs. However, at the individual SDG level, the engagement patterns are more nuanced. Our findings have important implications for both theory and practice, providing insights into the complex dynamics that shape MNEs’ engagement with the SDGs and offering guidance for policymakers and businesses seeking to enhance their contributions to sustainable development. (shrink)

Dissent and Philosophy in the Middle Ages offers scholars of Dante's Divine Comedy an integral understanding of the political, philosophical, and religious context of the medieval masterwork. First penned in French by Ernest L. Fortin, one of America's foremost thinkers in the fields of philosophy and theology, Dissidence et philosophie au moyen-âge brings to light the complexity of Dante's thought and art, and its relation to the central themes of Western civilization. Available in English for the first time (...) through this superb translation by Marc A. LePain, Dissent and Philosophy will make a supremely important contribution to the discussion of Dante as poet, theologian, and philosopher. (shrink)

Le livre de Gianvito Brindisi se propose d’étudier la pensée de Michel Foucault en essayant de mettre en lumière la multiplicité des perspectives qu’elle offre pour l’élaboration d’une généalogie des pratiques de jugement dans le champ juridique et moral. L’analyse du droit comme pratique et exercice de vérité, comme instrument de partage et de gouvernement des conduites et comme lieu de constitution des subjectivités nous permet, selon Brindisi, de tirer du travail foucaldien une aide précie...

In this paper, I will try to analyze St. Augustine’s and Dante’s views towards history by showing how their visions can be articulated into particular models of history, i.e. a particular schema that describes the unfolding of history with its specific focal points, and to what extent this model differs from one author to another. If in Augustine’s case, by exploring his division of sacred history in component parts, that can be found throughout his work, I will argue for (...) a Christocentric model, in Dante’s case, by analyzing his work on political philosophy, De monarchia, I will argue for a teleological model of history. (shrink)

Our contemporary nihilism -- Homer's polytheism -- From Aeschylus to Augustine : monotheism on the rise -- From Dante to Kant : the attractions and dangers of autonomy -- Fanaticism, polytheism, and Melville's "evil art" -- David Foster Wallace's nihilism -- Conclusion : lives worth living in a secular age.

L’ itinerarium mentis entrepris par Dante, vers le bonheur et à travers Béatrice, entretient un rapport vital avec l’expérience philosophique, comme le montre le lien entre la Vita nova et le Convivio. L’essai de Jean-Luc Marion s’attache à cette continuité, en se concentrant sur le fait que « la voie unique de l’amour » ne se limite pas à indiquer la présence d’une intention unique informant de soi différents amours, mais implique la transformation radicale de l’idée de philosophie, transformation (...) fondée sur l’amitié étroite entre l’amour et la sagesse. Cette union donne vie à un nouveau dynamisme, à un habitus amoureux, ou plutôt à une posture amoureuse dans laquelle la pratique s’impose à la théorie et dans laquelle le sujet se découvre attendu par ce qui formait son but. (shrink)

L’articolo si concentra sull’analisi dell’estesa comparazione tra filosofia e amicizia proposta da Dante in Convivio III, xi, interpretandola come una consapevole analogia. A partire da un’attenta esegesi del capitolo, letto come un peculiare accessus ad philosophiam dantesco, l’articolo ripercorre le tappe dell’analogia evidenziandone i principali contenuti teorici. In questo modo, diventa possibile mostrare la rilevanza del tema dell’amicizia (in particolare di quella tra maestro e allievo) per una corretta comprensione di uno degli aspetti fondamentali (e anche più dibattuti) della (...) pratica filosofica così come concepita da Dante, ovvero il suo carattere intrinsecamente collettivo. Inoltre, l’articolo sottolinea come l’amicizia costituisca per Dante uno degli strumenti essenziali per l’allargamento del sapere filosofico al di fuori dei circoli universitari, obiettivo a cui il Convivio dichiaratamente mira. The article focuses on the analysis of the extended comparison between philosophy and friendship advanced by Dante in Convivio III, xi, interpreting it as a conscious analogy. Starting from a careful exegesis of the chapter, read as Dante’s peculiar accessus ad philosophiam, the article goes through the stages of the analogy, and it highlights its main theoretical contents. In this way, it becomes possible to show the relevance of the topic of friendship (especially that between master and student) for a correct understanding of one of the fundamental (and most debated) aspects of philosophical practice as conceived by Dante, i.e., its intrinsically collective character. Moreover, the article underlines that friendship constitutes for Dante one of the essential instruments in order to broaden philosophical knowledge outside of university circles, something that the Convivio explicitly purports to do. (shrink)

È frequente in Borges il riferimento a Dante come a uno degli scrittori fondamentali per la creazione della propria poetica. I suoi Saggi danteschi e, in particolare, Il falso problema di Ugolino, consentono di rintracciare alcuni degli aspetti più pregnanti del legame che Borges stabilisce tra sé e lo scrittore toscano e di fare luce su alcuni dei principi chiave che guidano la poetica borgesiana. In particolare, l’episodio di Ugolino e, più precisamente, il verso , in cui Dante (...) trasmette l’eterna oscillante immagine di Ugolino [che] divora e non divora gli amati cadaveri, costituisce per Borges una delle massime espressioni di un principio estetico fondamentale per la propria poetica: la capacità di esprimere i fatti tramite allusioni – evitando quindi di limitarne le possibili infinite biforcazioni – piuttosto che attraverso la mera esposizione circostanziata. (shrink)

This volume is third in a series, Monuments of Western Thought, which Cantor and Klein are editing at Colgate. The bulk of this book consists of excerpts from the work of Dante and Machiavelli. Of the Dante material, seventy-five pages is from the Divine Comedy, the rest from De Monarchia. Of the Machiavelli material, thirty pages are from The Prince, the rest excerpted from various works and arranged under such heads as "Warfare" and "Fortune." The text is introduced (...) by a sketch of the intellectual, social, and political context in which Dante and Machiavelli lived, and by brief intellectual biographies. The book closes with short critical selections, assessing and interpreting the source material. On Dante: E. Gilson deals with the ideological frame of the Divine Comedy, social order under divine Authority: J. A. Mazzeo with the hierarchy of light in the Paradiso; G. Santayana with Beatrice as woman and symbol. On Machiavelli: J. W. Allen argues that Machiavelli's originality lies in looking at men and affairs without concerning himself with what they ought to be and do; H. Butterfield that Machiavelli admired ancient Rome and advocated close imitation of her; F. Chabod argues that the theme of The Prince is that society is amorphous, waiting the impress of a dominant individual of supreme virtù; F. Meinecke that virtù, fortuna, and necessità are the basic themes of Machiavelli's thought. Each section is followed by a list of questions designed to challenge the student's understanding of what he has read and to send him back to the text.--L. G. (shrink)

This book is short on pages but long on valuable content. Oates intends to refute the rather widespread contention that Plato "denied the worth of all the so-called fine arts" by an objective and historical study of the Ion, Republic, Greater Hippias, Phaedrus and Symposium. Since the author himself clearly summarizes his own thought frequently, we here need only present his final conclusion. Every human activity is valuable in direct proportion to its closeness to the domain of the ideas and, (...) specifically, the Idea of Beauty and Goodness. But artistic creation is a human activity. Therefore, it too must be oriented towards the Idea of Beauty. Thus, "the creative artist must be ‘philosophical'" and, since he comes close to Beauty through intuition, also "quasi-mystical", as were Aeschylus, Sophocles, Dante, Milton, Shakespeare, Michelangelo. So too was Plato himself, whose dialogues are philosophical dramas containing "a more explicit expression of a vision of reality and value than is to be found in epics or tragedies or lyrics". In Oates’ book the only flaws are minor: an occasional awkwardness of style, referral only to scholars prior to the mid-twentieth century, notes are placed at the end of chapters rather than at the bottom of the pages. Even so, the book is well worth having.—L.S. (shrink)

In Volume One of Ernest Fortin: Collected Essays, the renowned theologian and political philosopher examines various facets of the unique encounter between biblical religion and Greek philosophy during the early Christian centuries and the Middle Ages. Fortin's aim is to uncover the crucial issues to which this encounter gave rise, such as the sometimes troubling but immensely fruitful tension between divine revelation and philosophic reason. The book includes sections on St. Augustine and the refounding of Christianity; the encounter between Jerusalem (...) and Athens; the medieval roots of Christian education; and Dante and the politics of Christendom. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Daring and Disappointing Dreams of Transhumanism's Secular EschatologyMichael Baggot L.C.IntroductionAlthough it is a largely secular movement, contemporary transhumanism borrows heavily from both Christian orthodoxy and heresies to construct a vision for human happiness. This article traces the roots of transhumanism's soteriology and eschatology and then examines the underlying anthropological problems that drive the hoped-for salvation through digital immortality. Unfortunately, the admirable desire to extend life sacrifices an appreciation (...) for the integral harmony of the human person's animal and spiritual dimensions. Since human actions manifest the person's intrinsic corporeality, attempts to detach the human personality from the body through digitalization would produce replicas of the dead without achieving true immortality. The surprising quasi-religious thrust of contemporary transhumanism's secular eschatology presents an opportunity to rediscover the Catholic patrimony's reflection on authentic divinization through the transhumanizing effects of divine grace. The article thus concludes with a Thomistic theosis-centered reorientation of secular transhumanism's eschatological aspirations for immanent immortality toward true human flourishing. [End Page 841]The Secular Eschatology of Contemporary TranshumanismThe leading transhumanist philosopher, Oxford University professor Nick Bostrom, thinks that his movement will provide real solutions to the perennial problems of humanity that traditional religions have tried and failed to address:While not a religion, transhumanism might serve a few of the same functions that people have traditionally sought in religion. It offers a sense of direction and purpose and suggests a vision that humans can achieve something greater than our present condition. Unlike most religious believers, however, transhumanists seek to make their dreams come true in this world, by relying not on supernatural powers or divine intervention but on rational thinking and empiricism, through continued scientific, technological, economic, and human development.1Yet, for all its protests against antiquated creeds, secular transhumanism frequently tends toward quasi-religious expressions. For instance, Meghan O'Gieblyn finds striking parallels between the evangelical and transhumanist worldviews she has embraced and abandoned during her life.2 Her writing explores her harrowing transition from Christian fundamentalism to trans-humanism and her eventual disillusionment with the techno-movement. Bible school had taught her about the various epochs of salvation history and her position within the "dispensation of grace" that marked the final preparation for the longed-for "millennial kingdom." As an adult, she spurned the false promises of organized religion and sought a more rational organization for her life. Later, a book recommendation plunged her into the thought of Google guru Ray Kurzweil and his narrative of evolutionary eras pointing toward an imminent "singularity" in which intelligent machines would emerge from an informational explosion. Such advanced robots would bring digital immortality through mind uploads and a nanotech new earth [End Page 842] that would put Eden to shame. Through his projects, Kurzweil purports to continue the Enlightenment tradition of empirical science and rational rigor. Similarly, many transhumanists tend to follow their Enlightenment predecessors in chiding traditional religion for obscurantist opposition to scientific progress. Nonetheless, O'Gieblyn discovered that the very movement that pretends to supplant the superstitions of the old-time religion is itself "a secular outgrowth of Christian eschatology."3The Christian-trained author could not help but detect familiar religious themes in the technocentric movement. Before it spread through the offices of Silicon Valley, the term "transhuman" first appeared in Henry Francis Carey's 1814 version of Dante's Paradiso, where the poet pilgrim recognizes that not even his own genius can describe the joy of risen life when he writes, "words may not tell of that transhuman change."4 Recent efforts to substitute supernatural resurrection with technological advancement find antecedents in the thirteenth-century friar Roger Bacon's quest for an elixir of life. Later, the nineteenth-century Russian Orthodox philosopher Nikolai Fedorov claims humans should use technology to control Darwin's unguided evolutionary process. Similarly, the twentieth-century Jesuit paleontologist Pierre Teilhard de Chardin predicted a global machine network that would merge consciousnesses worldwide and prompt the Omega Point of transphysical union with the divine.The Eugenicist Julian Huxley strips such notions of their religious trappings to present a secular transhumanist project that will "overcome limitations…to arrive at... (shrink)

Cet essai a pour motif central le mythe de l'Annonciation, fondateur de l'Europe contractualiste moderne. Il étudie l'importance de l'invasion des " barbares", de la rencontre avec l'Autre et du contrat que l'on passe avec lui, entente étrange d'où naît le sujet politique libre. Il a l'originalité de parler de l'Europe - le dernier continent inexploré -à partir d'un point de vue américain et de parler du politique à partir de textes littéraires: les écrits de Dante, Sade et Aquin. (...) C'est dans une petite barque, une embarcation toute frêle, que nous nous sommes lancé à la découverte d'un continent à peu près inconnu, plus farouche que le continent noir, plus sauvage que les Amériques, et composé de substances plus volatiles, plus inflammables que l'Asie ou l'Orient... Car le continent sur lequel nous avons mis le cap, c'est celui du Verbe. (shrink)

In his famous Addresses of the German Nation Fichte gives a number of different definitions of German identity. Ironically, precisely those figures of German dominance, which played an important role in the German nationalism of the 19th and 20th century, come from the Romanesque abroad. Fichte follows here Dante’s philosophy of the vernacular and the invention of the typical German virtues in the Germania of Tacitus. Tragically, however Fichte’s own cosmopolitan queer theory of transnational intersubjectivity has been overlooked until (...) now. In Fichtes berühmten Reden an die deutsche Nation lassen sich eine Mehrzahl unterschiedlicher Definitionsfiguren deutscher Identität entdecken. Ironischerweise schöpfen dabei ausgerechnet die für den Nationalismus des 19. und 20. Jahrhunderts zentralen Figuren deutscher Dominanz aus den historischen Quellen des romanischen Auslandes. Dazu zählen Dantes Philosophie der Volkssprache und Tacitus’ Erfindung des germanischen Nationalcharakters in seiner Germania. Am Ende gehört es auch zur tragischen Ironie der Wirkungsgeschichte, dass Fichtes eigenes, neuartiges und kosmopolitisches Quer-Konzept transnationaler Intersubjektivität bis heute übersehen wird. (shrink)

The Danish scholar Jan Pinborg made outstanding contributions to our understanding of medieval language study. The papers in this volume clearly demonstrate the wealth of Pinborg's scholarly interests and the extent of his influence.Though centered on medieval theories of grammar and language, the collection ranges in time from the fourth century B.C. to the seventeenth century A.D.; theories of the pronoun, of mental language, of supposition, of figurative expressions and of mereology are among the topics discussed; and the papers deal (...) with both humble anonymous teachers of grammar and with such well-known men as Aristotle, Plotinus, Augustine, Peter of Spain, Roger Bacon, Robert Kilwardby, Thomas Aquinas, Dante, William of Ockham, Domingo de Soto, and Suárez. The papers are in English, German, or French. (shrink)

Almost single-handedly, Ernest L. Fortin resuscitated the study of political philosophy for Catholic theology. Fortin's interests were vast: the Church Fathers, Dante and Aquinas, modern rights, ecumenism. All of these are in Ever Ancient Ever New, the fourth and final volume of Fortin's collected essays. Edited by Michael Foley, the volume contains articles never before published and is for anyone wishing to continue their education from Ernest Fortin or to begin learning from him for the first time.

En 1587, le jeune Galilée est invité à donner Due lezioni all’Accademia Fiorentina circa la figura, sito e grandezza dell’Inferno di Dante [Galilei 1587] afin d’éclairer une vive controverse sur l’interprétation de la géographie de l’Enfer dantesque. Ce travail d’exégèse littéraire permet à Galilée de faire reconnaître ses talents mathématiques comme ses qualités pédagogiques. Mais la portée de ces leçons va bien au-delà, car on peut y voir apparaître plusieurs thèmes majeurs de l’œuvre ultérieure de Galilée : au plan (...) mathématique, l’importance de la géométrie d’inspiration archimédienne, au plan physique, l’étude des questions de similitude que pose la résistance des matériaux – sans oublier l’intérêt constant du scientifique pour la langue et pour la culture littéraire. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reduction's FutureTheology, Technology, and the Order of KnowledgeKevin L. HughesLet me begin with something of a confession. When as a young undergraduate I first encountered medieval texts, and so, for the first time, began to know something of the medieval "way of seeing," I was intoxicated. And I was intoxicated, in part, by the comprehensiveness and unity of this worldview, where God, humans, the cosmos, science, theology, philosophy, nature, (...) supernature – all of these elements fit. So often in my thinking I have repaired to those famous last lines of Dante's Comedy, to the "Love which moves the sun and other stars," as the epitome of the comprehension, coherence, and harmony of the medieval worldview.Perhaps this is one of the reasons I have been attracted to the work of St. Bonaventure. We may all be familiar with the statements that now have become almost truisms, that to know Bonaventure at all, one needs to know the whole system, and that the whole system is found in every kind of work that he had done. "Procession, exemplarity, return, this is the whole of our metaphysics."1 This principle of Order in Bonaventure, as described and analyzed by Wayne Hellmann, is a kind of keystone to all of Bonaventure's work.2 [End Page 227]If you understand the "order," you understand Bonaventure. Such admirable consistency and harmony! Such remarkable unity of perspective! And, at least by many accounts, the Reduction of the Arts to Theology3 is a perfect concise instance of Bonaventure's synthetic vision.It is precisely this unity, as found in the Reduction of the Arts to Theology, that Dieter Hattrup finds problematic. For Hattrup, the notion of unity itself is not problematic; rather, it is the unity of knowledge as conveyed in the Reduction that approaches a deeply problematic modern understanding of knowledge. Hattrup believes he has discovered in this brief treatise the seeds of what we might call a technological or manipulative knowledge. Whatever the limits of Dieter Hattrup's historical and textual brief against the authenticity of the Reduction, his theological queries should put us all on guard if we are to imagine a future for any "reduction of the arts to theology," Bonaventurean or otherwise.A Theological QuestionBonaventura zwischen Mystik und Mystifikation4 begins with a basic theological premise: Christian theology is interested in the relationship between faith and reason, and this interest follows from the even more basic Christian claim that God is distinct from the world. If one has an intra-cosmic notion of the divine, wherein gods are the greatest or most powerful beings among all other beings, then the question between faith and reason does not arise. Gods who are beings can be known in the way we know all other beings, i.e., through reason. Faith, on the other hand, describes the kind of knowledge we can have of the One who is not part but [End Page 228] Maker of the created order. From the time of Philo on, Jewish and Christian believers5 have drawn this careful distinction and explored how faith and reason might be related without being reduced one into the other. Hattrup suggests that this perpetual question is raised with particular intensity with the revival of Aristotelian philosophy in the High Middle Ages, and Bonaventure stands as a major figure in scholastic inquiry. But, he tells us, this question remains crucial to our own time under the sign of "secularization."6It is important to note this opening overture, as it tells us that Hattrup is exploring what he takes to be first and foremost a theological puzzle: Does the Reduction of the Arts to Theology faithfully represent Bonaventure's understanding of the relationship between faith and reason as ways of knowing? Is it consistent with what we find (and what Hattrup has studied elsewhere)7 in his Sentence Commentary, Disputed Questions on the Knowledge of Christ, and the Collations on the Hexaëmeron? Most importantly, and more theologically, does the Reduction distinguish properly between faith and reason, as would befit this Doctor of the Church? Or is it the beginning of the collapse of this classic distinction... (shrink)

The charge of treason and the judgment of insanity have left questions that invariably intrude on an assessment of Pound’s life and work. Critics frequently adopt a strategy of separating the life and the work, but tactical review is often necessary. There is a lightness in Pound’s writing that speaks of a being detached from the concerns of the world. Yet with his economic theory of social credit, his political and racial views, as well as his concern for other writers, (...) he is of the world—in the world and part of it. He was decidedly not tied to geography. He had no region or period, and he was as comfortable in Confucian China as in Dante’s Florence or twentieth-century Rome. He could work anywhere. He wrote The Pisan Cantos while jailed in Italy. The Cantos were published while he was in a mental wart at St. Elizabeths, yet a court found that he could not understand the charges against him. Can such an impairment and such achievement occur at the same time? If you say no, then what of the treason? Did he feign madness to escape punishment? Could Pound have been convicted of treason?In this paper, I intend to examine what has been loosely referred to as “the trial of Ezra Pound” and to show that Pound’s case should have been brought to trial within one or two years after his commitment to St. Elizabeths because he had a reasonable chance of being found not guilty of treason; even if found guilty, the circumstances in mitigation of a long prison term would have been so evident that he would have likely spent considerably less time in prison than he spent locked up at the mental institution. I will do this, in part, by reviewing the similarities and differences between Pound’s case and three other treason cases that came to trial within the first years after World War II. The English case, Rex v. Joyce, was tried shortly after the close of the war and well before Pound’s competency hearing on 13 February 1945.3 The law applied in Joyce would have led Pound’s lawyer to seek some postponement of trial until the American courts decided whether to follow the English lead. The other two cases involve the Americans, Douglas Chandler and Robert Best, employees of German radio, who were indicted with Pound in 1943. 3. William Joyce was an American who came to be known as “Lord Haw Haw.” He was hanged at Wandsworth, England, 3 Jan. 1946. He was the best known of the “radio traitors.” He began his programs, “This is Jairmany calling,” and would then prophesy the destruction of English towns and cities. The name “Lord Haw Haw” was created by the English journalist, Jonah Barrington, to ridicule Joyce and to make him appear idiotic. Conrad L. Rushing is a Superior Court Judge in California and an occasional lecturer in law at the University of California, Berkeley. He teaches a course in law and literature at the California Judges College and is a founder of the Sane Jose Poetry Center. (shrink)

Offers students introductory discussions of ten widely read works of philosophical literature by such authors as Plato, Dante, Goethe, Voltaire, and Nietzsche.

Lors de la commemoration du septieme centenaire de l'anniversaire de la naissance de Dante Alighieri (1265-1321), Etienne Gilson qui avait publie dans les annees quarante un ouvrage rapidement devenu un classique sur la pensee de Dante (Dante et la philosophie), a repris la plume pour rendre hommage au grand poete et penseur italien. Dans ce volume sont publies les neuf articles qui abordent certains des themes fondamentaux de la reflexion de Dante comme la nature du ciel (...) Empyree, le rapport entre poesie et theologie ou encore la signification de la vision merveilleuse. Le volume s'ouvre avec une belle introduction a la pensee de Dante et se termine par une meditation sur Dante et Eugene Delacroix. (shrink)

Il saggio mette a confronto tre fra le traduzioni più importanti della Commedia curate da poeti americani negli anni 2000, prendendo in analisi le loro strategie e tecniche traduttive e i conseguenti risultati estetici. La base del confronto sono le intenzioni traduttive dichiarate dai poeti-traduttori, il modo in cui hanno cercato di porle in pratica, e l’interpretazione dei loro risultati alla luce della teoria dei translation studies recente. Le idee di Lawrence Venuti sulle «versioni dei poeti» e su come leggere (...) una traduzione, specialmente in un contesto di world literature, sono risultate particolarmente utili nel caso dei tentativi di questi poeti-traduttori di riscrivere un testo poetico autonomo, e di trasportare la complessità della poesia di Dante, potentemente padroneggiata, attraverso due tradizioni letterarie diverse. (shrink)

Etienne Gilson se propose de definir les attitudes successives de Dante a l'egard de la philosophie : quelle nature lui assignait-il, quelle fonction lui attribuait-il, quelle place lui octroyait-il. Il ne s'agit en l'occurrence pas d'examiner la philosophie que Dante a formule, mais bien au contraire, partant de l'analyse de ses textes, de tenter d'en degager les manieres dont il envisageait et usait de la philosophie. D'une certaine maniere, l'on ne s'interroge pas sur les pensees philosophiques mais sur (...) la pratique philosophique. D'une rencontre d'enfance avec Beatrice, Dante en fit l'un des plus grands portraits de la femme au Moyen Age, et trouva dans la philosophie, allegoriquement nommee "la noble dame", la consolation a la perte de Beatrice. Entre la Vita Nuova et la Divine Comedie, Gilson nous offre ici une image particulierement originale du lettre italien en nous montrant comment Dante, autant poete que theologien, elabora une pratique philosophique qui releve d'abord de son oeuvre poetique. Comprendre le personnage de Beatrice est donc pour Gilson la cle de la comprehension de la philosophie meme de Dante, celle qui fait jouer et se repondre poesie et theologie, celle qui permet d'apprehender sous chacun de ces deux aspects l'originalite du penseur italien : la philosophie se doit d'etre morale et pratique si tant est qu'elle veuille mener les hommes a l'etat de bonheur. (shrink)